…serves all readers as well as art-historical discourse – though in this case also the person of Anna Winteler who is both professional physiotherapist and a public person – as the place where the biography is fixed. Information regarding the origins and the life of any given artist are standard in a framing introduction and reflection upon works.

A poster, a flyer, and newspaper ads announce an evening of public discussion. The invited participants of the panel are a heartsurgeon, a canyoning professional, a self-employed architect, and a sociologist, who debate risks, and the concept of risk in their respective activities and fields.

A large architectural model, based on the Musée
du quai Branly, a museum for non-western cultures in Paris, is floating at eye level, lit, against the backdrop of a monochrome wall. A label-like flatscreen is playing press clippings referring to
the planning of the Paris museum, as of 1996.

Essentially, the project consists of adding further instruments to the school’s existing collection of musical instruments. In a second step, the instruments were played by the pupils together with four invited professional musicians during a music week, and recorded. The recordings resulted in a vinyl record.